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[ jazz, post-punk, psychedelic rock] (2022) Party Dozen - The Real Work [FLAC] [DarkAngie]

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(2022) Party Dozen - The Real Work




Review:
In sonic terms, two-piece bands utilize
minimal instrumentation and achieve maximal impact. Duos like Lightning Bolt, armed with bass, drums, and miscellany
effects, obliterate any and all conventions of volume through sheer force and unique mechanics. Party Dozen is a duo
blazing a similarly noisy path. An Australian twosome made up of a saxophonist and a drummer, Party Dozen are cut from a
Lightning Bolt-ish cloth: their music whips into a frenzy, in your face and earsplittingly loud. But unlike Lightning
Bolt, the duo of Kirsty Tickle (saxophone) and Jonathan Boulet (percussion and sampler) draw from a stylistic hodgepodge
that is all over the map. Their first two stellar, albeit overlooked albums (2017’s The Living Man and 2020’s Pray
for Party Dozen) showed an ascendent band with an affinity for hopping from free-improv, doom, jazz, psych rock, and no
wave, sometimes within the span of one track. Their brand of arena-sized, heavy bangers would ostensibly appeal to both
the devoted listeners at Big Ears Festival and the metal heads at Maryland Death Fest. That’s a given on Party
Dozen’s newest releases. Beginning with a recent standout Sub Pop single (the fire-breathing “Fat Hans Gone Mad”
seven-inch) and indelibly stamped on their excellent third full-length called The Real Work, Tickle and Boulet have
realized a huge and gnarly sound where skronk, hooks, noise, and melody seamlessly converge into one ecstatic beast. The
Stooges are a clear influence, specifically their punk-jazz masterpiece Funhouse, but Party Dozen seem partial to all
three of the proto-punk legends’s touchstones. Tickle’s hurricane-force sax blasts channel the piercing blows of
Steven Mackay (the late saxophonist who brought Funhouse into the free jazz conversation) but there’s also plenty of
Raw Power’s glammy grime dripping from Boulet’s hard-charging beats and rhythms on The Real Work. The Real Work
opens with an incredible one-two-three punch. Opening tour de force “The Iron Boot” is, arguably, their heaviest
turn towards 1970s-style stoner metal that descends into a breakneck-speed, spastic free-for-all before ultimately
returning to its original slow-burning lick. The forward momentum doesn’t let up from there. The following “Macca
The Mutt” (featuring Nick Cave winging it on vocals) is the record’s should-be hit, a relentlessly catchy rager
complete with a singalong chorus and highlighted by Tickle’s soaring sax lines and manipulated howls. “Fruits of
Labour” is another earworm that’ll be stuck in your head for days on end; it’s as if New Order’s danceable,
locked-in grooves converged head-on with the no wave jazz stylings of James Chance and the Contortions. Loosely based on
the concept of work and their instruments thought of as tools, the vibes reflected on The Real Work are anything but.
With the album’s nine songs rooted in free-improvisation (tunes are born out of jams and experimentation in the
studio), Tickle and Boulet—using noise pedals, looping effects, overdubs, and various contraptions—lay down
white-hot riffs and effects-drenched squeals that are celebratory and uplifting (unlike most work) and emerge with one
of the year’s best records. — daily.bandcamp.com



      
 




Track List:
01 - The Iron Boot
02 - Macca the Mutt
03 - Fruits of
Labour
04 - The Worker
05 - Earthly Times
06 - The Big Quit
07 - Major Beef
08 - Balance
09 - Risky Behaviour


Media Report:
Genre: jazz, post-punk, psychedelic rock
Country:
Australia
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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